Censorship of Books in the United States and Susan Glaspells Trifles Essay

Censorship of Books in the united States and Susan Glaspells Trifles Overview of the History of Censorship in the United States - Essay ExampleThe banning of the books in the United States of America unofficially began in 1749 with John Clelands Fanny Hill was condemned for its frank sexual descriptions (The Online Books scallywag). At that time, there was no clear law yet that banned books and other forms of written materials. However, in 1873, the 1873 Comstock Act was made into law by the federal and state governments. It called for the banning of all literature considered sexually arousing as well as those about contraception (Book Censorship). The author of the act, Anthony Comstock, was appointed drawing card of the New York Society for the Suppression of Vice and helped in the banning of foreign literature during his time, such as Chauchers The Canterbury Tales, Defoes Moll Flanders, Aristophanes Lysistrata, several editions of The Arabian Nights, and Boccaccios Decameron (T he Online Books Page). After the 1873 Comstock Act, the law was change into many other various laws that banned literature. This led to the banning of Margaret Sangers Family Limitation in 1915, mob Joyces Ulysses in 1918, anti-war pamphlets in 1919, Rousseaus Confessions in 1929, Voltaires Candide in 1930, Thoreaus Civil noncompliance in 1950, John T. Scopes Civic Biology, Mitchells Gone with the Wind in 1978, the Grimms Fairy Tales in 1989, and even the Christian Bible in 1996 (The Online Books Page). Books were banned in schools and the banning was supported by teachers, parents, churches and even civic groups, all with various agenda. Among the works banned in America during the early twentieth century were those of Susan Glaspell. Biography of Susan Glaspell Susan Glaspell is considered as the mother of modern American drama (Real i). Moreover, according to Rohe, Glaspell is know as the spirit and he mind and the soul of the real America of to-day, expressed in literature (q td. in Real i). Glaspell was born in Davenport, Iowa in 1876 and grew up there until she graduated from college in Des Moines and in the end landed a job in the Des Moines paper, where she was assigned the task of writing about the pip trial of a certain John Hossack in 1900. This murder trial became the basis of her 1916 one-act play Trifles. Overall, Glaspell authored 14 plays, 9 novels and 3 short story collections (Gainor & Dickey 35). Susan Glaspell was born and became a playwright, journalist, poet and novelist during the era of literature known as modernism, a movement where irony and satire were used to express governmental or kind criticism. Glaspells hometown, Davenport, was extremely instrumental in making her one of the most controversial and critical writers of her time. In fact, Davenport is described as a community more conducive than many other Midwestern locales to facts of life creativity and progressive thought (35). This is something which is characteristic o f modernism. A huge part of modernism was the vindication of womens rights, which was still an issue during Glaspells time. In fact, her first profession was journalism as it was, according to Glaspell herself, comparatively receptive to women (35). By 1915, Glaspell and her husband George Cram Cook a classics professor, itinerant farmer and poet/novelist left Davenport because of its increase conservativeness and conventionality, and headed for the more radical environs of Greenwich Village. This occurred at exactly the same time that artists, intellectuals, bohemians and political activists also began quest their own place as they all began embracing modernism (35-36). Glaspell and her